Risa Okina
Assistant Professor: Music Theory & Accompanying
Risa Okina is a theorist and collaborative pianist who has performed throughout the United States and Japan. Before moving to upstate New York, she was a much-sought-after collaborative pianist in the Philadelphia Area and regularly performed with students and local musicians. She has also collaborated with many local opera and theater groups, including the Philadelphia-based opera company, ENAensemble. She was a member of the Toradze Piano Studio, where she studied with the world-renowned pianist Alexander Toradze. She performed regularly at the Toradze Studio Recital series during her master's program.
Risa received her Ph.D. in Music Theory from Temple University, where she has taught both written and aural music theory. Her dissertation "Brahms and The Uncanny" explores the musical uncanny in the piano chamber music of Johannes Brahms, utilizing the notion of the uncanny from the perspective of the German philosophers Ernest Jentsch and Sigmund Freud. Her primary argument is that the musical uncanny acts as a hermeneutic window to reach a deeper musical meaning, which can open us up to unique interpretations.
Her research interests include Sonata Theory, Musical Semiotics, Musical Narrative, Psychoanalysis, Schenkerian Analysis, and Hermeneutic Analysis of the music of Johannes Brahms and other 19th-century composers. Her work has been presented in both national and international conferences, including the International Brahms Conference in Irvine, CA (2019),
Music Theory Midwest Annual Conference and the Society for Music Theory Annual Metting (2020). She was also invited as a guest scholar for the Performance and Analysis Graduate Seminar at the University of Missouri, Kansas City, where she performed Brahms's Violin Sonata in D minor, Op. 108 and discussed how our analysis and hauntological reading of the piece could shape our interpretations and performance. This past summer, she presented at two international conferences: The 29th European Association for Music in Schools (EAS) Conference, Belgrade, Serbia, and the 15th International Congress on Musical Signification, Barcelona, Spain.
She holds a MM in music theory from Temple University, a MM in piano performance at Indiana University South Bend, and a baccalaureate degree from the Toho Gakuen School of Music in Japan. She has served as an Adjunct Assistant Professor of Music Theory at Temple University, a pianist for the Villanova Singers and the Main Line Singers, as well as Rowan University, and West Chester University, and an organist for Trinity Reformed UCC in Collegeville, PA, and Emanuel UCC in Philadelphia, PA.